Interview
by Kristi Monfries
Brussels, Belgium 2001
Do you create and edit your own samples?
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Do you ever use classical forms of tonal organization in your work?
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What do you think about the current alliance of older avant-garde composer and underground DJ culture?
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The classical orchestra appears to have survived the explosion of electronic music since the fifties. Do you think it will retain it's present form for the next 50 years, as an 'instrument' for contemporary composers?
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Do you concieve and develop your electronic pieces in a different way than when you are writing for a classical ensemble?
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It seems that we live in a time when artists are connecting styles and forms with new technologies, is this a fundamental shift in music or just a 'more is better' trend?
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What is your take on the online, internet and MP3 music sites and what effects do think it is having?
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What are you working on now?
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